Features and Design
The Nikon D7000 doesn’t look radically different than many other mid-range, all-black DSLRs on the market, such as the 18-megapixel Canon EOS 60D ($999 body only). With the 18-105mm kit lens, the Nikon has a no-nonsense vibe that says “I’m a serious camera.” Don’t even think of casually carrying it around. The D7000 measures 5.2 x 4.1 x 3 (WHD, in inches) and weighs 1.5 pounds without a battery, card or lens. Hefty and serious indeed.
Looking closely at the D7000, you get an inkling of its capabilities, but nothing that quite gives away its position as the hottest DSLR on the market. It has the usual Nikon red accent on the grip and a few judiciously-placed logos and icons. Drill down a bit and some of the finer points appear, such as a second LCD readout on the top, and a 3-inch 921K-pixel LCD on the rear. But the real enhancements are internal, as we’ll soon see.
Like any DSLR, the key feature on the front of the D7000 is the lens mount. In this case, it’s a Nikon F bayonet-type, and all functions are possible with AF Nikkor glass. As always, you can spend a small fortune on lenses, but the 5.8x kit lens (18-105mm, 27-157.5mm 35mm equivalent) with built-in Vibration Reduction is a good start. Also up front are an AF Assist lamp and buttons for Function, depth-of-field preview and lens release. There’s a three-pinhole mono mic, so if you want stereo sound for your videos, get ready to spend some extra cash on an aftermarket mic. You can connect one with the handy mic input in one of the side compartments. The pistol grip is solid, and there’s a jog wheel right below the shutter button and power switch.
On the top is the main mode dial, which sits on a perplexing control called a Release-Mode Dial. With it, you change your frame rate (most commonly) such as single frame, continuous low speed (1 to 5 fps) or continuous high speed (6 fps). Access to this dial is good, but in order to turn it, you have to press a nearby locking button at the same time. This seems very convoluted for such a basic and important control. In contrast, Canon cameras have a drive button you simply press to make this adjustment. That said, after some initial fumbling, we made adjustments using the left index and middle fingers. The same dial also gives you access to the self-timer, quiet shutter release option, using a remote control and “Mup” for Mirror up. The main mode dial has the usual options: Auto, Auto flash off, Program AE, Shutter- and Aperture-Priority as well as full Manual. Scene is typical as you can choose specific shooting situations (portrait, landscape and so on, 19 options total). There are also two settings (U1, U2) to save your favorite configurations.
Next to the stacked dials are the flash, hot shoe and control panel LCD, one of the key features separating entry-levels DSLRs from “enthusiast” models (500 clams more is another huge point of difference, but that’s another story). This readout lets you check your settings without having to put the camera in front of your face, and is very handy for shooting on the fly. Next to the shutter are buttons to change metering type and exposure compensation.
The rear has a very good and bright viewfinder with 100-percent field of view and 0.95x magnification (by comparison, the Canon EOS 60D is 96-percent coverage with 0.95x magnification). A diopter control lets you fine-tune it for your eyesight. Below the VF is very good LCD screen rated 921K pixels. The 60D has an articulating 3-inch screen with more dots (1.04 million total), so Canon wins that round.
Surrounding the screen are the usual array of buttons for white balance, ISO and so on, with another jog wheel on the top right to move through menu options and a controller with center OK button. Since this is 2011, there’s a red video dot in middle of the Live View lever—simply pull it to the right, the mirror raises up, press the dot and you can shoot HD video (1920 x 1080 at 24 fps MOV files). There’s a six-pinhole speaker nearby. This is hardly the 1080p at 60 fps of the recently reviewed Panasonic SDT750, but it’s home video nonetheless (more in the performance section).
On the right side is a compartment for two SDHC/SDXC cards. You can put stills on one, video the other if that rings your bell, or just use a single card. The D7000 is the first camera we’re aware of that uses the Ultra High Speed system (UHS-1) for faster read and write speeds. The left side has a compartment with A/V, USB and mini-HDMI outs. A second has inputs for mics and GPS. Near the lens mount is an AF/Manual switch, as well as bracket and flash-open keys.
The bottom of this Made-In-Thailand DSLR has the battery compartment, metal tripod mount, and the contact cover for an optional battery pack. As with lenses, you can spend thousands if you want to trick out your camera. Hold off for a while, since the D7000 is far from cheap to begin with.
What’s in the box
The D700 includes kit includes both the body and 18-105mm VR lens, if you decide on that option. You’ll also get EN-EL15 rechargeable Li-ion battery rated up to 850 shots per CIPA, charger, eyepiece cap, rubber eyecup, USB and A/V cables, strap, LCD monitor cover, body cap, accessory shoe cover and ViewNX 2 software on CD-ROM. For good measure, Nikon includes a 328-page user’s manual for light reading.
Since this camera is one of the first that’s UHS-1 compatible, which allows for up to 45 Mbps read speeds, we popped in a new 16GB SanDisk Extreme Pro SDHC card and hit the streets.